Non Sequitur Hain

Unless a long view across a fenced hain or hallowed vista encourages corporal penance, climbing hardly seems worth hours of bodily pain and perils of speedy descents. Rather save strength to further distance. Years ago used to attempt double metric century rides for up to 8 hours. Things change as time passes; now slam hard for only 3 while distancing from disease by steering clear of cities. But where’s the fun in sequestering self? Tottering on a pandemic precipice one contemplates shifting priorities.

Same can be said about living with blinker blinders, ear plugs, and mask muzzles. If you don’t make what matters to you understood in no uncertain terms, you’ll be forsaken and mistreated. Likewise, if you accept blindly non sequiturs foisted upon you instead of assessing intelligently what’s been done and said, you suffer same old torments senselessly. Hear, see and speak surely. Be proud that over 150 million Americans, a record 66% of those eligible, braved contagion and ignored propaganda to cast a vote in 2020 election, but, ironically, timid mail-in ballots decided results.

Incumbent immediately attacked states where he was ahead on election day because he feared what might show up among absentee ballots also cast in record numbers. Commanding a lockstep small cadre, GOP never does as well when disenfranchised independents side with Democrats and results swell. The more disgusting the candidates, the better GOP does while gloating in their self fulfilling prophecies. Over eighty million Americans struck a genuine blow against tyranny by chipping in a half billion in donations >$20, designating Uncle Joe and Aunt Kam, and deposing a dictatorial narcissistic sociopath and national embarrassment with his fake facts, fake news, fake presidency, and soon fake broadcast network to continue his relentless attack against civil rights, democracy, inclusion, race, tolerance and women. Speaks volumes about incumbent when his supporters protested at polling places armed with assault rifles and intimidation tactics. Why wasn’t National Guard called in to protect count volunteers?

Fact that Earl Blumenauer is being considered as USDOT Director promises consideration for bicyclists, who recognize him as the sort who bikes to White House when summoned and secured Bicycle Commuter Bill. Maybe more of country will begin to resemble Portland, Oregon, which he represents in Congress. But a GOP Senate would probably block his appointment. Constructing bike paths is not enough; full bike infrastructure alongside motorways minimally meets existing guidelines. Blumenauer must’ve read Carlton Reid’s Bike Boom: The Unexpected Resurgence of Cycling (Island Books, 2017, 272 pp.). Like many observers, Forbes transportation editor Reid details contrasts in bicycling’s acceptance between Americans and Europeans. In answer, each European lives in a former city state, a compressed urban center commutable by bicycle surrounded by rural riding miles in which to recreate. Americans are spread from cities to farms across suburbia and vast plains accessible on cheap fuel prices and high taxation that built unsustainable roads as some sort of privileged welfare to construction bosses rife with graft and kickbacks. Amsterdam, Copenhagen, Dublin, London and Paris have many flat narrow lanes. Similar places in USA, such as Boston or New York City's boroughs, tend to have greater ridership than vast expanse of less populated continent, though biking also boomed in Bloomington, Minneapolis, Portland, Providence and Seattle, whose mayors are enlightened to alternatives. Distance and terrain impact bicyclists more than motorists, as well as economic class, given average cost of car ownership verges on $9,000/year, beyond reach of minimum wage workers even though some used beater can provide sketchy service for less. While roadnet incentivizes Americans, their perception of safety remains lower than Europeans.

After campaigning door to door, contributing for decades, and engaging in activism, Labann owes no one and watches from sidelines. In certain states voting is symbolic, since you can be assured of outcome beforehand. Sometimes all you do is neutralize opinion and normalize perception. Yet 2020's election cycle has been called bitterly divisive. Wonder why? Neither party ever makes promises or serves public, too busy padding own pockets and securing spots at sloppy trough. Either you’ll be abidin’ Biden until some humble hero rises to serve the common good, or stay stuck in a system too broken to set straight again. No country has meant more to entire world with class upgrade, fair trade, and foreign aid, but leadership is never made in the shade.

Labann’s strategy for only posting several paragraphs a handful of times each season, rather than repeatedly on some punitive schedule, provides for quality messages when they'll do least harm and most good. Plus essays give insights into their composition, as if metadata. Literary art appreciation isn't part of any advanced curriculum or social prerequisite. Critics, when not discussing prurient fictional plots, tout convincing nonfictional arguments, neither of which Labann indulges in, just explanations of all sides of any issue with no simple resolution, which precisely describes reality. A wide range of responses should always be expected in life as well as in movies, though baker’s dozen that follow seem tangled in today’s headlines.

German language masterwork of Hitler’s last 12 days, Downfall (Oliver Hirschbiegel, dir., 2004) stirred recent controversy when a BP technician used a meme from movie to describe poorly conducted labor negotiations, which cost him his job. Courts overturned that decision. History seems to be in a time loop. Beset Berliners are bicycling around bomb craters scurrying for shelter, while Hitler (Bruno Ganz) is blaming and sacking staff members for his own failures, His secretary, Traudl Junge (Alexandra Maria Lara), who narrates story, sneaks Peter, a Nazi youth street fighter decorated by Adolf himself, past a Soviet blockade and steals a bike so they can escape.

Diana (Uma Thurman, Kill Bill) still has PTSD decades after a terrorist teen shoots up her public high school. Otherwise, The Life Before Her Eyes (Vadim Perelman, dir., 2008) as an adult seems pretty good. College professor husband Paul (Brett Cullen) bikes to classes and daughter Emma (Gabrielle Brennan) attends parochial school. Together they enjoy a mostly pleasant life in a gardened home in an upscale neighborhood. Oops, it’s all a dream. Dee as a teen (Evan Rachel Wood) in good conscience can’t let her bestie confidante Maureen (Eva Amurri) choose to die to save her, an existential ordeal many face on a daily basis, while few appreciate sacrifices made.

Sad schoolmarm Anna (Christina Ricci) crashes her car after a spat with fiancé Paul (Justin Long), and winds up on an embalmer’s slab. Is she dead? She has several conversations with mortician Eliot (Liam Neeson). Line is blurred between actual life and After Life (Agnieszka Wojtowicz-Vosloo, dir., 2009). Either Eliot is a serial Kevorkian hastening unwilling victims out of their corporeal skin or sympathetic listener uncannily helping souls to make this transition. On the other hand, Anna’s student Jack (Chandler Canterbury), who Eliot takes under his wing, is an obvious fan of death. While biking by his favorite haunt, Eliot’s funeral home, he sees Anna upright, and warns Paul only to incite panic. Later Jack buries a hen chick alive, flagging his nascent sociopathy. Solution to sparing pain is not terminating life. Every heartbeat is another second vibrant with potential.

Scumbag grifters Alan (Jake Sandvig) and Ben (Jason Ritter) steal bicycles from a school yard for fun and support themselves in a house with an in-law apartment by felonious means, such as boosting cars and snatching purses. Alan’s sister Melanie (Rebecca Hall), a stalwart waitress at Waffle House, disapproves. Just because they were born with a A Bag of Hammers (Brian Crano, dir., 2012), they figure they can scam everyone in Fresno. They rent apartment to short tempered single mom Lynette (Carrie Preston), who’s so depressed she can’t feed son Kelsey (again, Chandler Canterbury, nominated for a Young Artist Award), and desperate, she kills herself. Suddenly Alan and Ben are faced with a choice between freeloading amorally and taking responsibility for Kelsey. In a Bike&Chain moment, they man up for once. Critics hated Crano’s first feature dramedy, but its message of less broken helping like needy is heartwarming compared to gratuitous violence that so often passes as entertainment.

Autumn Wanderer (Nathan Sutton, dir. and star, 2013) has boy Charlie (Sutton) meet girl Nia (Elisha Skorman). But his dream encounter has no future. Charlie knows schizophrenia is inherited, dad has it full blown, and he’s not about to inflict such misery upon someone he cares about. Film is remarkable not only for depicting mental illness with quiet dignity instead of slasher cues, but producing on a bare shoestring with film studio values. However, sociopathies sometimes rise to highest office and trigger atrocities. 

Another timely message, The Quiet Season (Brandon Neubert, dir., 2013), endorses November dusks in a lovely, spot on, 7 minute short that any bike commuter knows so well as brilliant glorious hours among otherwise drab green jaunts. Lisa Neubert rides alone to Great Salt Lake outside Ogden, Utah, and not only composed and performed its music, she wrote and narrated its prose. If only candidates would settle into this interregnum so serenely. For 5 minutes of pure immersion into urban bicycling culture, check out this Bicycle Film Festival montage. Recognize only a few from its dozens of sources.

Alone in Berlin (Vincent Pérez, dir., 2016) has working class couple Brendan Gleeson and Emma Thompson secretly leaving postcards that denounce Nazi government and urge civil disobedience after they lose their son, who was conscripted into army during WWII. Number of bicyclists shown riding former Reich rivals today’s Paris. Gestapo agent (Daniel Brühl) assigned task of hunting down culprits is beaten by superiors after being stymied for 3 stealthy years. Based on forgotten real heroes Elise and Otto Hampel, who were guillotined for their resolve to oppose tyranny.

Indie black comedy Laundry Day (Randy Mack, dir., 2016) draws lowlifes to a New Orleans dive bar laundromat, Suds and Duds, where a fight breaks out. Film covers each participant’s perspective - corrupt bartender Bart (Billy Slaughter), homeless busker Natalee (Samantha Ann), incompetent dealer Ethan (Dave Davis), and self-destructive musician Dee (Kerry Cahill) - from events leading up to incident, during which each is involved in bicycling, none as humorous as Ethan, who attends a job interview with supplier’s go-between on a pedicycle. When Bart crashes his bike and winds up arriving hours late, havoc has already broken out in bar. Dee wouldn’t have gotten an expensive ticket had she carried her instruments on a bike trailer to sing for tips. Natalee crosses paths with all three while dodging authorities.

Period drama 1945 (Ferenc Török, dir., 2017) deals with aftermath of Nazi Holocaust. Two Jewish survivors, father and son, arrive unexpectedly to a rural Hungarian town. Stationmaster questions them, then rides off on his bike to warn villagers. Folks fear visitors have come to reclaim property they’ve illegally seized and react badly. A wedding is cancelled when groom bolts. Bride burns down bourgeois pharmacy of hateful in-laws. One villager hangs himself out of remorse. The Hermanns just want to repatriate what little remains of their incinerated loved ones - baby shoes, garments, and toys - in the family’s cemetery plot. Stationmaster, busy spying on them upon his bike throughout, passes them as they trudge back to train.

Stranger Things (Matt and Ross Duffer, dirs., 2018) have occurred in Indiana than a 2020 Democratic win. Back in fictional 1980’s in this Sci Fi television series, small fictional town Hawkins harbors a secret DOD paranormal laboratory. When kid named Will goes out at night on his bike and winds up missing, his buddies, Dustin, Lucas and Mike, search for him by bike. They find Eleven, a psychokinetic girl authorities are looking for who can flip a van.

Surviving Blackwood sisters Constance (Alexandra Daddario) and Mary Katherine (Taissa Farmiga) reassure themselves, We Have Always Lived in the Castle (Stacie Passon, dir., 2018), after poisoning deaths of their parents go unsolved. Town gave up trying to solve mystery after Constance is acquitted. Ladies in mansion atop hill overlooking village draw intense resentment and suspicions, which they both abide until cousin Charles (Sebastian Stan) shows up and tries to split them up, though his interest is only in what money he can take from their safe. Vicious kids on bikes taunt them, and turn to flee like little girls when confronted. Sisters have no need of telephone or transportation, since they so infrequently leave castle, even after left in ruins by a fire.

The Burnt Orange Heresy (Giuseppe Capotondi, dir., 2019) has vicious art dealer Joseph Cassidy (Mick Jagger) hiring ambitious critic James Figueras (Claes Bang) to steal a particular masterpiece from enigmatic and reclusive artist Jerome Debney (Donald Sutherland). Debney lives in a ramshackle bungalow in a sequestered corner of Cassidy’s magnificent Lake Como estate a short bicycle ride for Figueras. Title might as well been ripped from election headlines.

Recent RA.com ad has a women with rheumatoid arthritis riding a bicycle that disintegrates along a bike path, signaling damage disease does to joints. Stands out among many Giant and Specialized ads in that it’s not about selling wheels on backlog. 

Another unusual spot follows a biking kid, who later becomes a paperboy, then a young man gone a courting on same BMX, while toying with Daisy Bell lyrics suggesting best use of an outgrown bike is donating it to Goodwill, which means it’s a bicycle built for two or more. Time for an adult tandem! Of course, all bikes impact not only buyers but employees who manufacture them when not furloughed, material miners, road builders, taxpayers, shop owners, transportation workers, and whoever else gets involved in supply chain. Skyrizi psoriasis medicine commercial has sufferer mountain biking across dunes.