Aprés la Quarantaine

Score more credibility for scientists for introducing almost overnight a vaccine against a fatal global virus, because a few individuals, lone pharma insiders and maverick university researchers in Europe and US, against advice and without support, foresaw some rogue nation (China or Russia) would attack rest of world with another influenza variant after several others became pandemics. American small business and workforce, not billionaires who don't pay taxes, fund Centers for Disease Control and Prevention, which keep scary samples on hand to draw from despite recent Cult 45's budget cuts, a situation analogous to world trade after the towers collapsed; commerce endured despite efforts to disrupt. Enemies can be domestic and foreign incited by lying leaders. Pandemic mismanagement spawned an ongoing trend of mass shootings, sixty-thousand slain in US over last 5 years. Exactly when will house arrest turn Mar-a-Lago into Mar-a-Gaol? High time to interminably incarcerate perps of highest crime.

Waiting for COVID to disappear is not a sensible strategy. As a child you’ve already been vaccinated against DPaT, MMR, PCV, Polio, and probably HepA&B, Hib, RV, and Varicella; grown up, HPV, quadrivalent influenza, Td and Zoster (shingles). Why wouldn’t you likewise protect yourself against COVID, which has lingered for a year and a half? ADA supports your refusal on rare medical or religious grounds, but lawmakers have already been inoculated, so don’t care if you contract and die. Once vaccinated, you’ll be safer pedaling by bike than pushing a motorized cage, sitting indoors watching media, or walking alongside traffic.

Polarized people will debate anything, from best bikes, to government systems, to mobility methods, to what to eat or wear, to where to live, when to return to “normalcy” (if any such thing will ever exist), whether to get vaccinated at all, yes, rightly so, since these represent core needs, personal risks, and shared experiences. Science isn’t always right; mistrust has been instilled by climate denialists, clumsy consultants, and countless zombie apocalypse cautions. Many arguments aren’t worth joining, but some are if you want to leave languish and find flourish. Maybe a life awaits after a year in this quarantine holding pattern.

With new evidence of turning the COVID corner stateside, everyone ought to have a resolution once it subsides to get out and look around. Other existential threats demand attention, though worst offenders will deflect criticism with irrational personal attacks. Beijing's air isn’t fit to breathe. Soon global warming dismissal, which only preserves profits for a few, will start to displace millions and kill tens of thousands. Resultant flooding of flat land and severe heat and winds will become major deterrents to bicycling, plus increase diseases, such as cholera and malaria. Doing nothing could be much worse than predicted by actual experts, who only look forward into own field, for examples, economics or weather.

It’s not human nature to believe cranks or quacks, except when mainstream customs or medicines only offers a death sentence. Pretty powerful, the placebo effect did alleviate all sorts of illnesses for millennia. Who's to say acupuncture, herbal remedies, or osteopathic "hair of the dog" doesn’t work in some cases. Many FDA approved medicines are grossly misused and wrongly prescribed, a major factor in death and illnesses lately, 70,000 in 2019, about 70% opioid related, some undoubtedly due to pandemic snake oil, in fact, suddenly exceeding motor vehicle accidents, hitherto #3 among ways to die. Despite reservations, science still deserves more trust than shamanism. Nazis sought an occult edge. Necons, their predecessors, make deals with demons to deliver despair and ruin in exchange for immunity and power.

Same applies to news. For decades Labann discounted most media opinions; they got it wrong so often you’d be foolish to trust whatever they say. Real reporters narrate events, not offer advice. Fox News or Newsmax commentators are not trained journalists, some not even college graduates. They are merely biased buskers, meme mouthers, regurgitaters of sound bites, and shills for ultra-conservative power mongers, whose darwinian predation and malthusian logic put personal aggrandizement above community betterment. Delete upon arrival and don’t ever read aggressive and relentless conservative email propaganda. Barely have time to read imaginative and informative copy. Lengths to which they go to dominate opinions proves their manipulative intentions.

But public policy does affect lives, so knowing what’s at stake is important, which is why you might pay closer attention to bona fide journalists. Public ought to be outraged they aren’t getting vital information from official sources that might define live or lose decisions. Conversely, death dealing alcohol, fossil fuels, motor vehicles, opioids, tobacco, and weapons are minimally regulated and widely available, while dangerous and illegal drugs are barely interdicted. Sex trafficking, slavery, and smuggling remain billion dollar enterprises with daily casualties.

Is America in trouble? Because of regressive Republican administrations since Nixon, citizens owe $100 TRILLION, individually $290,000, not counting local, municipal and state debts that double figure. Pandemic not only bled and displaced millions of workers, it exacerbated what everyone has to repay. US GDP, world’s highest for a single nation, hovers around $21 trillion, but IRS collects less than $5 trillion/year. To get debt free at that rate without other obligations would take 20 years, but debt maintenance (interest and principle) alone eats most of revenue while underground economy siphons community’s cash into offshore accounts.

At any point in near future America could go bankrupt with nearly unimaginable consequences including homelessness, hunger, joblessness, poverty and want; seizures of businesses, farms and properties; suspension of entitlements, social security, welfare; total domestic and international dystopia. Congress just goes on printing money rushing along collapse, while a select few profit. Wealth disparity has never been worse in world history; it’s to the point that money can no longer buy power and loses its value. What could save the American Dream is for citizens to recall anyone in office who thinks they can steal revenue, then tax billionaires out of existence. Since wealth is a finite resource, every billionaire means 55,000 families stay below the poverty line. More people worldwide die from poverty than any other reason, one every 3 seconds.

With so many dire issues, why shouldn’t films reflect bicycling? As Bruce Bennett’s Cycling and Cinema (Goldsmiths Press, 2019, 299 pp.) explains, they arrived together over a century ago and ever since have been intertwined. Bennett explores, “The cinematic history of the bicycle... brings a variety of fascinating, unfamiliar or largely forgotten films into focus alongside some more well-known titles. Cyclists introduced nineteenth-century viewers to three-dimensional cinematic space... the first [commercial] film, La Sortie de L’Usine Lumiére à Lyon, is a cycling film.” It does depict three bicyclists wriggling their way through a throng of exiting studio workers.

Your Show of Shows (Dec. 23, 1950) did a skit with Imogene Coca and Sid Caesar as an Italian couple who steal La Bicycletta from a reunited childhood friend, then try to return for a reward. Caesar was a master of dialect, but only fluent in English and Yiddish; though dialogue was pigeon Italian, audience got gist through his vaudevillian face and hand gestures.

60 Cycles (Jean-Claude Labrecque, dir., 1965) documents 11th penultimate pro-am Tour du St. Laurent (run from 1954-65) between-Montreal-and Quebec on a 12 day, 1500 km course that exceeded distance of grand tours Giro d’Italia and Vuelta a España and rivaled Tour de France. Low budget long shots of curving countryside and open road covered by 60 riders from 13 countries through Gaspé Peninsula were nevertheless thrilling. This National Film Boards of Canada short allegedly inspired camera work of George Lucas, later famous for Star Wars.

A Day Out (Stephen Frears, dir., 1972) is a film treatment of Alan Bennett’s play about Halifax Cycling Club’s ride to the ruins of Fountains Abbey during summer of 1911, which spins an idyllic vision of Edwardian England.

Based upon year of their release, one might confuse experimental 7 minute Bicycle (Chuck Hudina, dir., 1975), Venezuelan 25 minute La Bicicleta (Oscar Molinari, dir., 1975), and made for British television Wilbur and the Bicycle (Neville Green, dir., 1975). Someone should have told Hudina you never look down while riding. Molinari tracks a high wheeler rider, who disrespects a funeral cortege by riding though, and then gets chased by a murderous foot posse, who can’t keep up but still shoot him in the back from a distance. A teen steals his boneshaker, so its ability to enthrall and impact village continues. Couldn’t find Green’s series, but suspect it has to do with Wright Brothers, who first achieved human flight based on their background in bike building.

Five virgin chicks from Cherry Hill High (Alex E. Goitein, dir., 1977) compete to have the most original sexual encounter during a 2-week chaperoned bike tour. Bare legs and double entendres compete with lame acting and lousy production values.


Le Tour de France The Official History 1903 - 2005 (Sean Kelly, dir., 2005) contends that French were the first to race bikes and Tour de France is the greatest physical challenge in sports as well as sport’s most attended spectator event. Might question whether you’ll gain more from 2 hours of bad color and blurry b/w clips and chaotic throngs surrounding struggling cyclists, or 3 hours actually riding on your own.

Joe Kid on a Stingray (John Swarr & Mark Eaton,dirs., 2005) chronicles 30 year evolution of BMX races and stunts through archival footage and contemporary interviews. Bicyclists still regard BMX as an aberration, but they remain ghetto currency and popular transportation despite obvious limitation.

Gulong [Filipino word for Tires], aka The Bicycle (Sockie Fernandez, dir., 2007) depicts Apao (Steven Fermo) and best buddy Momoy (Jopet Concordia), their desires to spend vacation at an uncle’s fishpond, too far away to walk, and desperate attempts to raise funds to buy and old bicycle from a cantankerous woman.

Bicycle Dreams (Stephen Auerbach, dir., 2009) documents disastrous challenge to Race Across America in less than 10 days, as previously mentioned and not to be confused with family film Bicycle Dreams (Raju Gurung, dir., 2014), where two boys come of age in Kathmandu, Nepal. Their dream is an electric blue, 18 gear mountain bike they can’t afford, but a possibility arises in a poster that offers a reward for finding a lost dog. Adventure, obstacles and treachery teach them that enjoying friendship is more important than possessing an object.

Peloton star biopic A Ride With George Hincapie (Anthony Haney-Jardine, dir., 2009) follows Big George over 35 years having pedaled 667,000 miles from Queens, New York during 1980’s, training in NYC’s Central Park, to Paris Roubaix in 2009. Ultimate domestique who started more Tours de France than anyone, Hincapie now hosts an annual Gran Fondo (Big Ride) based on Italian model among US cities enjoyed by recreational and semi-pro cyclists, next in Greenville, SC, on October, 23rd, 2021.

Seattle siblings masseuse Abby (Rosemarie Dewitt) and dentist Paul (Josh Pals) live together in the house they inherited, along with Paul’s daughter and dental assistant Jenny (Ellen Page). Abby’s boyfriend Jesse (Scoot McNairy) grew from bike messenger to local bike shop owner. Entire cast of Touchy Feely. (Lynn Shelton, dir., 2013) live in frustrated funks. Abby can’t seem to move from baffled ennui into her boyfriend’s bungalow. Paul’s emotionless demeanor cost him dental clients. Jenny delivers a loving calzone to bike shop and longs for Jesse’s unrequited touch.

The Dirty Sniff (Dean Dickinson, dir., 2016) highlights more death-defying debauched Bone Deth BMX mayhem and semi-nude nonsense in Portland, Oregon. After all the property damage they portray you can understand why signs sometimes ban bikes. Featured rider Sean Burns later broke his spine in yet another big stunt.

Danny MacAskill quaffs Red Bull and takes a Wee Day Out (Stu Thompson, dir., 2016) on his Santa Cruz MTB amidst countryside near Edinburgh, Scotland in this 6 minute action short.

Historical docudrama My Italian Secret (Oren Jacoby, dir., 2014), narrated by Isabella Rossellini, reveals how during WWII bicycling star Gino Bartali, Catholic priests, doctor Giovanni Borromeo, and other compassionate Italians risked their lives to save refugees and strangers, particularly Jews desperately fleeing extermination by Nazis. Bartali (voiced by Robert Loggia) used training trips to hide secret efforts from family and fascists. Some subjects of Mussolini would never complacently agree to totalitarian rule, just as majority of Americans aren’t Trumpkins whom they oppose vehemently.

Louisa Clark (Emilia Clarke, Game of Thrones) finally tells self absorbed beau Patrick (Matthew Lewis), “I hate cycling; you know I do,” and won’t be tagging along on his Viking Triathlon trip in lieu of a romantic vacation, because he puts Me Before You (Thea Sharrock, dir., 2016). Meanwhile, she’s falling for her wealthy boss Will Traynor (Sam Claflin), a paraplegiac confined to a wheel chair. She visits cycling infested Paris upon his dying wish.

Bicyclist David (Aaron Paul) accepts girlfriend Claire’s (Annabelle Wallis) invitation to Come and Find Me (Zack Whedon, dir., 2016), then she abruptly disappears. Using photographs she left behind, he crosses LA on his beater ten-speed into serious trouble.

Icarus (Bryan Fogel, dir., 2017) began as a quest to expose doping in sports, but turned into a geopolitical thriller involving Dr. Grigory Rodchenkov, supposedly a pillar of Russia’s anti-doping initiative but really its facilitator, an Olympic scandal, and uniform cheating to win at any cost. Seems the only thing banned under Putin is truth itself.

Sports melodrama The Little Queen, aka La Petite Reine, (Alexis Durand-Brault, dir., 2014) portrays Quebecois cyclist Julie Arseneau (Laurence Leboeuf), who gets caught hematocrit doping on the eve of World championship under her abusive coach Patrice Robitaille. It was based on the true story of cyclist Geneviève Jeanson, whose career as a professional cyclist was derailed by a 10 year ban, reduced from lifetime by testifying against coach.

Prepubescent protagonist Stevie (Sunny Suljic) of Mid90s (Jonah Hill, dir., 2018) rides his stingray away from abusive brother Ian (Lucas Hedges) and negligent mother (Katherine Waterston) down to local skateboard shop and into all sorts of adult temptations: alcohol, drugs, sex. Doesn’t end well, of course, but could be worse. Does demonstrate what inevitably comes from providing Los Angeleno teens barely adequate sustenance but insufficient motivation during jobless recovery of Reagan-Bush recession. With no domestic policy, consecutive GOP administrations of Bush and Trump caused the Great Recession, and pandemic mismanagement nation’s largest job loss in history. With plenty of time for bicycling, more people than ever now roam aimlessly looking for trouble.

Brad Pitt narrates PBS series e2 Transport (Tad Fettig, dir., 2020). Episode 2 Paris: Velo Liberte explores cultural and economic outcomes of renting bicycles in the City of Light.

CoroNation (Ai Weiwei, dir., 2020, in Mandarin) documents lockdown of Wuhan, China in January of 2020, after 2 months had passed with government misinformation about human-to-human spread. Camera people filmed at check points, hospital wards, and places state built extra rooms to house victims. Mourners burn offerings for their dead family members, then bike or walk off into the night in grief. Cyclists on Flying Pigeons can be spotted throughout on otherwise deserted streets. Not taken into account, China’s tanking economy might lead to further squabbles over Taiwan and world war.

Wendy’s Bag Alert commercial spot tastelessly shows an Asian woman stealing a bicycle to race compulsively for discount fast food. Why has there been no public outcry over racism or theft?

Escapades on the "D" train

“We sit here stranded, though we're all doin' our best to deny it, and Louise holds a handful of rain, temptin' you to defy it... In the empty lot where the ladies play blindman's bluff with the key chain. And the all-night girls they whisper of escapades out on the "D" train... The ghost of ’lectricity howls in the bones of her face where these visions of Johanna have now taken my place. And Madonna, she still has not showed... We see this empty cage now corrode... while my conscience explodes. The harmonicas play the skeleton keys and the rain. And these Visions of Johanna are now all that remain.“ Nobel Laureate Bob Dylan, from album Blonde on Blonde, 1966 vs. "Bicycle (oil on canvas)", Bob Dylan, 2012

Orange Bullet D Sixth Avenue Express once served stricken World Trade Centers en route between Bronx and Brooklyn's Coney Island. Escapades make one think of overreachers and terrorists. Why did Oppenheimer call A-bomb research The Manhattan Project? Because most sites involved were secretly located there, splitting atoms with millions of residents none the wiser. In classic obsessive compulsion he quoted Hindu scripture, “Now I am become Death, the destroyer of worlds.” Film of same name (Marshall Brickman, dir., 1989) has smart cyclist Paul Stephens (Christopher Collet) steal plutonium from industrial tycoon John Mathewson (John Lithgow) to expose his company as a covert danger to surrounding community, whereupon he makes his own thermonuclear weapon that inadvertently almost takes out much of The Big Apple. All concerned join as a team to defuse it, while innocents unknowingly dodge instant death. After Sartre, being stranded by existential threats, biological to technological, has become the new “normalcy”.

Earth Day (April 22nd) and Mother’s Day (May 9th) evoke Earth-goddess Gaia offerings, Fugian Granny Mazu pilgrimages, Greek Cybele cult sacrifices, Laetare Sunday when Roman Catholics celebrate Mother Church, mother goddess Rhea rites, ode to a barefoot and biased madonna, Roman Hilaria festival, Semite Asherah adherence, Sun Goddess Amaterasu rituals, Taino Atabey admiration, Taoist Doumu adoration, and worship of queens of heaven Anat, Astarte, Inanna, Hera, Isis, Juno, Mary and Nut. All are tied to blossoming springtime, natural rejuvenation, and respect for life. But you get the feeling that however humans, even Shinto mountain ascetics, venerate them, these goddesses and saints don’t necessarily reciprocate, in fact, would rather wipe species off planet after multiple manmade threats of atmospheric pollution, fossil fumes, industrial toxins, nuclear weapons, ocean garbage, and prophesies of a hard rain delivered by Bob’s nasal twang when poetry used to matter.

B&C is 180° opposed to any anti-intellect, cancel culture, dumb down descent into global ignorance. Labann daily observes, reads, views or writes. Recent research indicates that sitting too close to computer screens and watching too many media streams can cause seizures or worse. Yet scholarly books encourage more of same; at least B&C preaches a balance between pedaling and viewing. Holidays might even inspire a ride if weather doesn't decide otherwise.

Culture on Two Wheels: The Bicycle in Literature and Film, literary criticism compiled by Jeremy Withers and Daniel P. Shea (University of Nebraska Press, 2016, 376 pp.), includes Nanci J. Adler’s insightful essay The Existential Cyclist: Bicycles and Personal Responsibility in Simone de Beauvoir’s Blood of Others, among dozens directly related to bicycling culture. Elsewhere, Adler explains how bicycles evolved into antifascist armament:
“Existential, absurdist and postmodern philosophers and writers of the era... questioned pre-war cultural values and the meaning of existence. Bicycles continue to appear in novels as transformative vehicles, but they no longer play the straightforward role as vehicles of liberation from the constraints of cultural mores, gender restrictions or social hierarchies. Bicycles often continue to be symbols of freedom, happiness and love, but they lose their irrefutable power to transform characters in permanently positive ways... Flann O’Brien’s The Third Policeman, Simone de Beauvoir’s The Blood of Others, Luigi Bartolini’s Bicycle Thieves, Samuel Beckett’s Molloy and L. P. Hartley’s The Go-Between, reflect bicycles as beloved articles, useful vehicles, and potentially positive transformative machines, yet they are unable to overcome the disquieting times; bicyclists are no longer destined for eternal happiness... [for Beauvoir] the bicycle is used to differentiate the hardships of the French from the relative affluence of the Nazis... The bicycle machine, in previous decades a symbol of modernity and personal freedom, takes on a more solemn role as a machine of the French Resistance.” Nanci J. Adler, The Bicycle in Western Literature: Transformations on Two Wheels, 2012

“The bicycle was still there, brand new, with its pale-blue frame and its plated handlebars which sparkled against the dull stone of the wall. It was so lissome, so slender, that even when not in use it seemed to cut through the air. Hélène had never seen such an elegant bicycle. ‘’I’ll repaint it dark green, it’ll be even more beautiful,’ she thought.” Simone de Beauvoir, The Blood of Others, 1945, which explores themes of freedom and responsibility, as B&C continues to.

You know Nazis by what they do: Berate, boss, command, demand, denigrate, force, grab, hate, lie, and lots of people die or suffer. The opposite is whoever calmly encourages, leaves be, merely suggests, offers help, shares wealth, and tolerates differences. Everyone has opinions which guide personal code. Nazis will kill if you don’t meekly submit to their sick will. Nazis are divisive, greedy and stupid, because intelligent people know that they do better when everyone does well. Nazis scream continually, irrelevantly of current situation, and unintelligibly. People who tell you facts and truths never change their story and seldom repeat themselves. Let-live losers sort through details to suggest stuff worthy of your time above ground.

Father and Daughter (Michael Dudok de Wit, dir., 2000) poignantly captures a person’s grief over loss and longing to be reunited. After father abandons daughter during their bicycling outing, she spends entire life revisiting spot on a Dutch dike, where throughout each character rides on a bike. Deservedly won BAFTA award and Oscar for best animated short.

Police sergeant John McLoughlin (Nicolas Cage) races his Bronco past a Big Apple bicyclist running errands to site of World Trade Center (Oliver Stone, dir., 2006) disaster, where he'll wind up trapped under rubble with fellow officer Will Jimeno (Michael Peña) for trying to evacuate towers and save lives 20 years ago this September. Bottom line: This jihadist suicide salvo against an international commodity exchange was sheer ignorance that targeted democratic freedoms, more muslims and people of color from 87 different nations than America, and system of commerce that feeds world. It purported to use technology to strike against technology, but turned out a vicious attack upon humanity itself. And never forget, Bush and conservatives tried to exploit this holocaust by describing it as a "test of our will" to continue pursuing illegal wars for sake of greedy swells, while it's never been clear who was really responsible. With no help from GOP, decent citizens, firemen, and police answered the call to duty.

An Irish fisherman named Syracuse (Colin Farrell) trawls up a foreign woman (Alicja Bachleda-Curuś) in his net. Astonished she’s not drowned, he asks her name, Ondine (Neil Jordan, dir., 2009). Syracuse, whom townsfolk call Circus, is a divorced recovering alcoholic who has visiting privileges but not custody of his daughter Annie (Alison Barry), whose kidneys are failing. After dialysis in her wheelchair she stalks dad and stumbles onto fact he’s hiding this mysterious beauty. Annie imagines Ondine is a selkie, a mythical chimera seal turned human. Mean kids on bikes take her wheelchair and taunt her for being different, but she’s wise beyond her tender age, because love conquers all.

In post-apocalyptic Montana, bounty hunter Gage (Gina Carano) hunts criminals who refuse to give up fossil fuel vehicles, considered the worst of offenses, and infiltrates Jackson’s (Ryan Robbins) belcher crew for both offered reward and personal vengeance. Jackson captures pilgrims to mine silver, a crucial commodity for ubiquitous masks that filter otherwise unbreathable toxic smog on a Scorched Earth (Peter Howitt, dir., 2014). Bicyclists escort pilgrims, but also get scorched. Those who ride horses fare better; how ponies breath isn’t explained.

Television sitcom Mom (Season 2, Episode 22) Fun Girl Stuff and Eternal Salvation (James Widdoes, dir., 2014) has mom Bonnie Plunkett (Allison Janney) by bicycle chasing daughter Christy (Anna Faris) from flop to flop after she moves out to avoid their toxic interaction that threatens both their relapses into substance abuse.

Fathers and Daughters (Gabriele Muccino, dir., 2015) has novelist Jake Davis (Russel Crowe) tell his daughter Katie (Kylie Rogers as child, Amanda Seyfried as adult), “Daddy sold a book today... That means you can have any toy on the planet.” She replies, “I want a bike! Pink with a basket and bells and streamers dangling from the handlebars...” So he buys her one and teaches her to ride in the park. Later they ride together on her birthday. Rest of film documents Katie’s traumas over tear jerker childhood: car crash, custody battle, fatal seizure, parents’ untimely deaths, separation anxiety, shadow of fame, and trust issues.

Microbe & Gasoline (Michel Gondry, dir., 2015) are nicknames bullies call school chums Daniel the artist (Ange Dargent) and Théo the grease monkey (Theophile Baquet), respectively. Theo rides around school on a bicycle tricked out with a sound system of his own design. Daniel’s caring but depressive mom Marie-Thérèse (Audrey Tautou, Amelie, The Da Vinci Code) and Theo’s dying and needy mom (Janna Bittnerova) give their adolescents cause to try crossing France in an inventive vehicle that can, with the flip of a lever, appear as a tiny house. Being underage, they can neither get driver licenses or register a motor vehicle, so stop when police happen by and transform to stationary. Theo regrets his mother’s death during his jaunt and returns to attend funeral.

Midsomer Murders, Breaking the Chain (Season 18, Episode 3, 2016), has DCI Barnaby (Neil Dudgeon) investigating homicide of pro cyclist Greg Eddon (Jack Staddon), who just won local leg and was leading tour. Plot thickens when it's disclosed that 5 years earlier Judith Oliver was accidentally run over by a motor vehicle while leading tourists along a side road supposedly blocked off for bike racing. Then rival Aiden McCordell is struck on the head with a chain whip, and his lungs were pumped with a high-pressure air compressor, rupturing them. Police finally act to save dad McCordell thereby ending the killing spree.

The Philadelphia Bicycle Vignette Story (Bryan Oliver Green, dir., 2017) is a socially scathing surreal series of short skits on title city around 2009. Marcus Borton plays the cyclist. Charlie Day and Rob “Mac” McElhenney of sitcom It's Always Sunny In Philadelphia (Season 13, Episode 5) keep up their unfunny putdowns of pedaling on a pair of stolen BMXs. Again, bullies are kids on bikes.

Adam Sandler is back to biking in latest film Hubie Halloween (Steven Brill, dir., 2020), where his character, town idiot Hubie DuBois, tries to save citizens of Salem from real skullduggery hidden behind holiday festivities.

SciFi thriller Songbird (Adam Mason, dir., 2021) set in near future speculates billions will die from highly contagious airborne variant COVID-23. Protagonist is a bicycle messenger, who is immune, so able to roam freely except through check points. Haven’t seen, but suspect poor ratings and weak returns are more due to people’s frustration with pandemic and suspicion over situational exploitation and theater attendance. Sure, it’s no Twelve Monkeys, in which Terry Gilliam totally predicted this predicament 25 years ago, but willing to give it 90 minutes after seeing hundreds of low budget turkeys that may have been worse.

Starz original series Men in Kilts: A Roadtrip with Sam and Graham (Episode 106, 2021) have title pair touring native Scotland by air, land and sea, partly by bicycles, to which one grumbles, “I cannot believe that this was your idea of a good time.” 

Spike Ectodomain

“More laundry, muddy pants: study weathercasts, maps, thumb catalogs, take naps. Window another chance.” - Labann, Winter Cadence, 2008

Sounds simple: Acquire and apply skills, collect pay, save for retirement, settle bills, and stay within means. When your life is made too complicated, depressing or difficult to bear, you look for someone to blame, though many assume it’s their own fault after years of brainwashing, browbeating and brutal upbringing. Doesn’t mean that corporate protocols, criminal schemes, and government policies don’t prevent you from thriving. Laws don’t care and life isn’t fair. The bimbo in a Mercedes who parks in a restricted zone won’t get ticketed, but you would. Conspiracy theorists spend excess energy concocting senseless arguments denying contagion threat and justifying own stupidity, never forget.

Coronavirus gets its name from its crownlike protein spikes, an ectodomain finger that helps them impale and infect host cells. Cretins ignore need to vaccinate themselves, infect others, yet somehow deflect high death rate. They’re so full of poison even a deadly disease wants out and won’t linger. Scrotus and entire staff allegedly had it, though none seemed unduly impacted, though they misrepresented threat to bolster hardline Republicans, particularly Rubio, who heads Small Business subcommittee. More Americans died from COVID, half a million, than US soldiers in all 20th Century wars. COVID singlehandedly reduced average life expectancy by a full year, the deepest plunge in a century, not to mention causing its worst economic recession. Poverty kills more people than infection, and reduces survivors to slaves.

Siddhartha Mukherjee’s New Yorker article wonders why pandemic death rates were counterintuitively and disproportionately higher among wealthy Caucasian elderly and lower among poor Asian youth. “It was an epidemiological whodunnit... After the age of thirty, your chance of dying if you get covid-19 doubles roughly every eight years.” No studies to date factored in race, but suspect it was a bio-engineered racial weapon. Even those not so convinced have begun to boycott Chinese products based on Beijing’s lying about COVID’s high communicability thereby delaying what would have saved millions of lives. No one knows how long vaccines boost immunity or whether those vaccinated can still infect others. Yet China’s Xi Jinping remains The Chump’s “very, very good friend,” whose totalitarian crackdown in Hong Kong forced self censorship and squashed democratic protests.

Whose friends were Fala, Feller, Edgar, Charlie & Gaulie, Heidi, Edgar & Freckles, Checkers, Liberty, Rex, Millie, Socks, Spot, Bo, and Champ? They were presidential pets of FDR, Truman, JFK, Johnson, Bush I, Clinton, Bush II, Obama and Biden, respectively. Teddie Roosevelt, Cal Coolige, and JFK had entire menageries. Not surprisingly, noticeably missing from this list is Dolt 45, who said outright he had no love or time for animal companions, although he surrounded himself with ass kissers, bootlickers, bottom feeders, opportunists, sycophants, thieves, and yes men, who served his will alone and suffered consequences. He cowered Birx and Fauci into violating Hippocratic Oath to save face, while 10% of Americans contracted and 1% died. Now he’s collecting donations for his own PAC instead of relying on RNC for another run, provided DOJ investigations don't result in indictments and convictions.

Cold and COVID set cycling priorities. Biggest difference between indoor spinning and outdoor riding is commitment. Once you venture forth, you must defy odds and endure whatever yet somehow return. On an indoor sprinter or stationary rig, you meet no one, never shiver to stay warm or steer clear of potential carriers, see same old floors and walls, and step off as soon as you sweat. While better than nothing and more efficient, there’s no glory, regret, risks, scars, tears, or toxic clouds of wind whipped road salt, at least in most northern states. Filthy piles of snow glower where sun doesn’t shine.

Rather ride paved roads than sloppy single tracks: Not so likely to run into fauna and flora, plus, should one drop dead being overtaken by an impatient motorist, someone might find intact corpse sooner. Hold little interest in gravel and mountain bikes, though wildly popular among fitness freaks afraid of motorists. Justify so many pedaled miles by supplanting driven miles for free vitamin D, gym visits, health appointments, low impact exercise, shopping trips, and work commutes that meant necessary motility.

A bright light might blur blemishes or expose blight. Shouldn’t you shine yours and stand in the sun? You buy little with silence, but risk shame and worse for speaking up. Duty of any citizen is to participate in democracy, but political opinionated people are subject to cancel culture, a new term for ostracism. Prepare to be dismissed as bitter, ignorant and vile by those in denial. Labann does read news but isn’t on Clubhouse, Facebook, 4chan, forums, Gab, Instagram, LinkedIn, Listserv, Parler, Patriots.win, Reddit, Telegram or Twitter yakking with dolts and trolls by the busloads. Blind mute service stands you in good stead until world implodes. Participation in life can be active or passive, which translates into having some small say or reacting to policies against you decided by blowhards, loudmouths, and tightwads. Live by a stone cudgel, sword, gun, pen, computer, smartphone on worldwide web, each mightier by degrees, but, according to debatable old saying, you’ll die by which one you seize.

Life is not defined by scientific hypotheticals that contrast Erwin Schrödinger’s feline fodder against Max Planck’s predatory Manx: All in on sin, or believe in afterlife inevitability, higher purpose, ineffable karma, influential spirituality, probable retribution, or simply you’ll do better when everyone does well. Apathetic or oblivious enablement equal tacit approval. Office of POTUS is a wet dream for an opportunistic con man: Power to promise anything, renege anytime, screw over whomever, take without consequences or limits because world’s biggest army and treasury backs you. Someone, usually those seeking knowledge and truth, have to pay the price.

What young adults don’t need is another bad example to emulate. What they do need more than anything are bicycles, since they get zero exercise with their noses stuck in smartphones all day until onset of diabetes, heart disease and obesity. Internet is loaded with serious content if you’re willing to “sign up’ to some service for loss of anonymity or some small fee. With Alexa or Siri you don’t even have to surf browsers to find bad advice or biased suggestions. Life isn’t buried behind digital barriers but right outside your door, which you should be cautioned to keep closed with home invasions, misery-loves-company contagion spreaders, and utility scams on rise due to pandemic and recession.

Instead of diligently pedaling, doing interesting research. Movies or tunes can be just as infectious as viruses; though fewer die as a result, ear-worms or plots might exasperate enough to distract from meaningful tasks or safe practices. As promised, got back to Grace Papy’s Vélo Bicyclette Remix, reviewed more movies she cited along with others newly discovered for a dozen new, ruled out several as insufficient reference or previous mention, and wrapped up. French film titles seldom match original English titles already covered, which creates confusion. Always try to provide instances where bicycling figures into plot lines, not just naturally appears, or lists would be even longer.

Maria (Marlene Dietrich) meets Count Dino (Vittorio De Sica) while gambling in The Monte Carlo Story (Samuel A. Taylor, dir., 1957). Thus begins an affair, both penniless imposters believing other might ensure her/his future, but it’s short lived. Once Maria learns Dino is chronically broke and compulsively gambles like her, she instead hooks up with a wealthy American and plans to marry him. But Maria can’t shake her fondness for Dino. A vintage poster portrays them in Monaco bicycling together as if sophisticated fun. Period photos also show Dietrich pushing pedals, possibly contributing to America’s bike boom between 1965 and 1975.

Anime miniseries Golden Boy: Sasurai no o-benkyô yarô, aka The Wandering Student (Hiroyuki Kitakubo, dir., 1995-96) stars voice of Doug Smith as Kintaro Oe, a 25-year-old law student who dropped out of Tokyo University, because he had already mastered entire curriculum, to pursue a simpler life of traveling on his bicycle between diverse part-time jobs. Humor comes from his lust for babes who he thinks want his attention.

Mom drags Lola (Lindsay Lohan) away from her beloved Manhattan to suburban New Jersey, where she’s adapting to stifling provinciality, biking to high school, and exploring gated communities in Confessions of a Teenage Drama Queen, aka Le Journal Intime d’une Futur Star (Sara Sugarman, dir., 2004). She runs afoul of popular bully Carla (Megan Fox) but shows her up in final reel.

Anthropology student Annie Braddock (Scarlet Johansson, Avenger Black Widow) takes a summer domestic role in The Nanny Diaries, aka Le Journal d’une Baby Sitter (Shari Springer Berman and Robert Pulcini, dirs., 2008) to study the strange marital customs of Manhattan’s Upper East Side. Rent’s free, but she’d rather have a corporate internship. She does learn a lot about how husbands and wives shirk commitments. When family vacations on Nantucket, she gets desperate to reconnect with handsome Harvard neighbor back in city, so bikes to a pay phone, which precipitates her being fired.

L.O.L (Lisa Azuelos, dir., 2009) has hormonal school teens emoting uncontrollably. Lots of honesty about post pubescent behaviors, Lola (Christa Theret) dumps Arthur (Felix Moati) to date folk singer Maël (Jérémy Kapone) and follow him down a dark tunnel on her bike.

In 2008, family of Sami Ben Boudaoud (Samy Seghir) settled into ritzy Paris locale Neuilly-sur-Seine. For 10 years he rides his tandem bike alone and with friends and studies political science aspiring to conservative office, until his idol loses presidential election, parents forfeit fortune, and they have to leave their beloved neighborhood. Neuilly Sa Mere, aka Neuilly Yo Mama (Gabriel Julien-Laferrière, dir., 2009) sees Sami’s embarrassing downfall and moving in with country cousin Charles de Chazelle (Jérémy Denisty).

Best friends Grace (Selena Gomez) and Emma (Katie Cassidy) quit their waitress jobs in rural Texas for an adventure in Paris, accompanied by Grace's stepsister. While there, Grace is mistaken for a philanthropist socialite, which leads trio to Monte Carlo, aka Bienvenue a Monte Carlo (Thomas Bezucha, dir., 2011). Farces, fights and flirts later, heart throb Theo (Pierre Boulanger) sees Grace riding a bike and whistles to stop her so they can reunite.

Noémie Lvovsky directs and stars in charming French magic realist flick Camille Rewinds (2012) as a middle aged wife whose husband (Samir Guesmi) leaves her. This triggers her alcoholic binge that leaves her in an ethylic coma. When she awakes in a hospital bed, she’s back in 1980’s, and society sees her as a 15 year old girl pedaling jejunely to school on a pink Peugeot, though she still appears 40 to herself and moviegoers and remembers everything that occurred. Determined to relive her life without repeating choices she regrets, she tries to avoid future husband altogether and to protect mom (Judith Chemla) from a fatal stroke, but fails on both accounts. After a bike crash and a t-bone collision, she’s back to present with a renewed attitude.

Montreal short The Man Who Lived on His Bike (Guillaume Blanchet, dir., 2012), best film in its category at a slew of film festivals, shows what one can do while living for an entire year on a bicycle... everything, including eating, phoning, Rubik's cubing, shaving, showering, sleeping, and suggesting even dating.

This is 40, aka 40 ans mode d’emploi (Judd Apatow, dir., 2012), shows how unhappily married couple Debbie (Leslie Mann) and Pete (Paul Rudd) confront midlife. After overhearing that Debbie’s pregnancy is being kept from him, Pete goes for an angry fast 40th birthday spin on his Trek roadie, where he encounters just about every obnoxious Los Angeles motorist behavior and gets doored by a thoughtless SUV driver, while wearing his Giro helmet, fortunately. Driver punches him in the stomach when Debbie catches up to find him. Nominated for a dozen industry awards, it won two.

In chick flick Endless Love, aka Un Amour Sans Fin (Shana Feste, dir., 2014) sheltered debutante Jade (Gabriella Wilde) falls hard for troubled car valet David (Alex Pettyfer) enflamed by parental disapproval. He knows how to drive but rides her seductively on his handlebars.

On their farm in Aries, everyone in La Famille Bélier (Éric Lartigau, dir., 2014) is deaf except 16-year-old Paula (Anne Peichert, aka popular singer Louane Emera). Paula, who acts as interpreter for her parents, bikes everywhere, and is vitally important to farmstead operations, though they can’t appreciate her vocal talents. Movie earned 7-fold and won César Awards for Best Actor, Actress and Film despite some criticism by deaf activists, who complained affliction was insensitively played for laughs.

Non Sequitur Hain

Unless a long view across a fenced hain or hallowed vista encourages corporal penance, climbing hardly seems worth hours of bodily pain and perils of speedy descents. Rather save strength to further distance. Years ago used to attempt double metric century rides for up to 8 hours. Things change as time passes; now slam hard for only 3 while distancing from disease by steering clear of cities. But where’s the fun in sequestering self? Tottering on a pandemic precipice one contemplates shifting priorities.

Same can be said about living with blinker blinders, ear plugs, and mask muzzles. If you don’t make what matters to you understood in no uncertain terms, you’ll be forsaken and mistreated. Likewise, if you accept blindly non sequiturs foisted upon you instead of assessing intelligently what’s been done and said, you suffer same old torments senselessly. Hear, see and speak surely. Be proud that over 150 million Americans, a record 66% of those eligible, braved contagion and ignored propaganda to cast a vote in 2020 election, but, ironically, timid mail-in ballots decided results.

Incumbent immediately attacked states where he was ahead on election day because he feared what might show up among absentee ballots also cast in record numbers. Commanding a lockstep small cadre, GOP never does as well when disenfranchised independents side with Democrats and results swell. The more disgusting the candidates, the better GOP does while gloating in their self fulfilling prophecies. Over eighty million Americans struck a genuine blow against tyranny by chipping in a half billion in donations >$20, designating Uncle Joe and Aunt Kam, and deposing a dictatorial narcissistic sociopath and national embarrassment with his fake facts, fake news, fake presidency, and soon fake broadcast network to continue his relentless attack against civil rights, democracy, inclusion, race, tolerance and women. Speaks volumes about incumbent when his supporters protested at polling places armed with assault rifles and intimidation tactics. Why wasn’t National Guard called in to protect count volunteers?

Fact that Earl Blumenauer is being considered as USDOT Director promises consideration for bicyclists, who recognize him as the sort who bikes to White House when summoned and secured Bicycle Commuter Bill. Maybe more of country will begin to resemble Portland, Oregon, which he represents in Congress. But a GOP Senate would probably block his appointment. Constructing bike paths is not enough; full bike infrastructure alongside motorways minimally meets existing guidelines. Blumenauer must’ve read Carlton Reid’s Bike Boom: The Unexpected Resurgence of Cycling (Island Books, 2017, 272 pp.). Like many observers, Forbes transportation editor Reid details contrasts in bicycling’s acceptance between Americans and Europeans. In answer, each European lives in a former city state, a compressed urban center commutable by bicycle surrounded by rural riding miles in which to recreate. Americans are spread from cities to farms across suburbia and vast plains accessible on cheap fuel prices and high taxation that built unsustainable roads as some sort of privileged welfare to construction bosses rife with graft and kickbacks. Amsterdam, Copenhagen, Dublin, London and Paris have many flat narrow lanes. Similar places in USA, such as Boston or New York City's boroughs, tend to have greater ridership than vast expanse of less populated continent, though biking also boomed in Bloomington, Minneapolis, Portland, Providence and Seattle, whose mayors are enlightened to alternatives. Distance and terrain impact bicyclists more than motorists, as well as economic class, given average cost of car ownership verges on $9,000/year, beyond reach of minimum wage workers even though some used beater can provide sketchy service for less. While roadnet incentivizes Americans, their perception of safety remains lower than Europeans.

After campaigning door to door, contributing for decades, and engaging in activism, Labann owes no one and watches from sidelines. In certain states voting is symbolic, since you can be assured of outcome beforehand. Sometimes all you do is neutralize opinion and normalize perception. Yet 2020's election cycle has been called bitterly divisive. Wonder why? Neither party ever makes promises or serves public, too busy padding own pockets and securing spots at sloppy trough. Either you’ll be abidin’ Biden until some humble hero rises to serve the common good, or stay stuck in a system too broken to set straight again. No country has meant more to entire world with class upgrade, fair trade, and foreign aid, but leadership is never made in the shade.

Labann’s strategy for only posting several paragraphs a handful of times each season, rather than repeatedly on some punitive schedule, provides for quality messages when they'll do least harm and most good. Plus essays give insights into their composition, as if metadata. Literary art appreciation isn't part of any advanced curriculum or social prerequisite. Critics, when not discussing prurient fictional plots, tout convincing nonfictional arguments, neither of which Labann indulges in, just explanations of all sides of any issue with no simple resolution, which precisely describes reality. A wide range of responses should always be expected in life as well as in movies, though baker’s dozen that follow seem tangled in today’s headlines.

German language masterwork of Hitler’s last 12 days, Downfall (Oliver Hirschbiegel, dir., 2004) stirred recent controversy when a BP technician used a meme from movie to describe poorly conducted labor negotiations, which cost him his job. Courts overturned that decision. History seems to be in a time loop. Beset Berliners are bicycling around bomb craters scurrying for shelter, while Hitler (Bruno Ganz) is blaming and sacking staff members for his own failures, His secretary, Traudl Junge (Alexandra Maria Lara), who narrates story, sneaks Peter, a Nazi youth street fighter decorated by Adolf himself, past a Soviet blockade and steals a bike so they can escape.

Diana (Uma Thurman, Kill Bill) still has PTSD decades after a terrorist teen shoots up her public high school. Otherwise, The Life Before Her Eyes (Vadim Perelman, dir., 2008) as an adult seems pretty good. College professor husband Paul (Brett Cullen) bikes to classes and daughter Emma (Gabrielle Brennan) attends parochial school. Together they enjoy a mostly pleasant life in a gardened home in an upscale neighborhood. Oops, it’s all a dream. Dee as a teen (Evan Rachel Wood) in good conscience can’t let her bestie confidante Maureen (Eva Amurri) choose to die to save her, an existential ordeal many face on a daily basis, while few appreciate sacrifices made.

Sad schoolmarm Anna (Christina Ricci) crashes her car after a spat with fiancé Paul (Justin Long), and winds up on an embalmer’s slab. Is she dead? She has several conversations with mortician Eliot (Liam Neeson). Line is blurred between actual life and After Life (Agnieszka Wojtowicz-Vosloo, dir., 2009). Either Eliot is a serial Kevorkian hastening unwilling victims out of their corporeal skin or sympathetic listener uncannily helping souls to make this transition. On the other hand, Anna’s student Jack (Chandler Canterbury), who Eliot takes under his wing, is an obvious fan of death. While biking by his favorite haunt, Eliot’s funeral home, he sees Anna upright, and warns Paul only to incite panic. Later Jack buries a hen chick alive, flagging his nascent sociopathy. Solution to sparing pain is not terminating life. Every heartbeat is another second vibrant with potential.

Scumbag grifters Alan (Jake Sandvig) and Ben (Jason Ritter) steal bicycles from a school yard for fun and support themselves in a house with an in-law apartment by felonious means, such as boosting cars and snatching purses. Alan’s sister Melanie (Rebecca Hall), a stalwart waitress at Waffle House, disapproves. Just because they were born with a A Bag of Hammers (Brian Crano, dir., 2012), they figure they can scam everyone in Fresno. They rent apartment to short tempered single mom Lynette (Carrie Preston), who’s so depressed she can’t feed son Kelsey (again, Chandler Canterbury, nominated for a Young Artist Award), and desperate, she kills herself. Suddenly Alan and Ben are faced with a choice between freeloading amorally and taking responsibility for Kelsey. In a Bike&Chain moment, they man up for once. Critics hated Crano’s first feature dramedy, but its message of less broken helping like needy is heartwarming compared to gratuitous violence that so often passes as entertainment.

Autumn Wanderer (Nathan Sutton, dir. and star, 2013) has boy Charlie (Sutton) meet girl Nia (Elisha Skorman). But his dream encounter has no future. Charlie knows schizophrenia is inherited, dad has it full blown, and he’s not about to inflict such misery upon someone he cares about. Film is remarkable not only for depicting mental illness with quiet dignity instead of slasher cues, but producing on a bare shoestring with film studio values. However, sociopathies sometimes rise to highest office and trigger atrocities. 

Another timely message, The Quiet Season (Brandon Neubert, dir., 2013), endorses November dusks in a lovely, spot on, 7 minute short that any bike commuter knows so well as brilliant glorious hours among otherwise drab green jaunts. Lisa Neubert rides alone to Great Salt Lake outside Ogden, Utah, and not only composed and performed its music, she wrote and narrated its prose. If only candidates would settle into this interregnum so serenely. For 5 minutes of pure immersion into urban bicycling culture, check out this Bicycle Film Festival montage. Recognize only a few from its dozens of sources.

Alone in Berlin (Vincent Pérez, dir., 2016) has working class couple Brendan Gleeson and Emma Thompson secretly leaving postcards that denounce Nazi government and urge civil disobedience after they lose their son, who was conscripted into army during WWII. Number of bicyclists shown riding former Reich rivals today’s Paris. Gestapo agent (Daniel Brühl) assigned task of hunting down culprits is beaten by superiors after being stymied for 3 stealthy years. Based on forgotten real heroes Elise and Otto Hampel, who were guillotined for their resolve to oppose tyranny.

Indie black comedy Laundry Day (Randy Mack, dir., 2016) draws lowlifes to a New Orleans dive bar laundromat, Suds and Duds, where a fight breaks out. Film covers each participant’s perspective - corrupt bartender Bart (Billy Slaughter), homeless busker Natalee (Samantha Ann), incompetent dealer Ethan (Dave Davis), and self-destructive musician Dee (Kerry Cahill) - from events leading up to incident, during which each is involved in bicycling, none as humorous as Ethan, who attends a job interview with supplier’s go-between on a pedicycle. When Bart crashes his bike and winds up arriving hours late, havoc has already broken out in bar. Dee wouldn’t have gotten an expensive ticket had she carried her instruments on a bike trailer to sing for tips. Natalee crosses paths with all three while dodging authorities.

Period drama 1945 (Ferenc Török, dir., 2017) deals with aftermath of Nazi Holocaust. Two Jewish survivors, father and son, arrive unexpectedly to a rural Hungarian town. Stationmaster questions them, then rides off on his bike to warn villagers. Folks fear visitors have come to reclaim property they’ve illegally seized and react badly. A wedding is cancelled when groom bolts. Bride burns down bourgeois pharmacy of hateful in-laws. One villager hangs himself out of remorse. The Hermanns just want to repatriate what little remains of their incinerated loved ones - baby shoes, garments, and toys - in the family’s cemetery plot. Stationmaster, busy spying on them upon his bike throughout, passes them as they trudge back to train.

Stranger Things (Matt and Ross Duffer, dirs., 2018) have occurred in Indiana than a 2020 Democratic win. Back in fictional 1980’s in this Sci Fi television series, small fictional town Hawkins harbors a secret DOD paranormal laboratory. When kid named Will goes out at night on his bike and winds up missing, his buddies, Dustin, Lucas and Mike, search for him by bike. They find Eleven, a psychokinetic girl authorities are looking for who can flip a van.

Surviving Blackwood sisters Constance (Alexandra Daddario) and Mary Katherine (Taissa Farmiga) reassure themselves, We Have Always Lived in the Castle (Stacie Passon, dir., 2018), after poisoning deaths of their parents go unsolved. Town gave up trying to solve mystery after Constance is acquitted. Ladies in mansion atop hill overlooking village draw intense resentment and suspicions, which they both abide until cousin Charles (Sebastian Stan) shows up and tries to split them up, though his interest is only in what money he can take from their safe. Vicious kids on bikes taunt them, and turn to flee like little girls when confronted. Sisters have no need of telephone or transportation, since they so infrequently leave castle, even after left in ruins by a fire.

The Burnt Orange Heresy (Giuseppe Capotondi, dir., 2019) has vicious art dealer Joseph Cassidy (Mick Jagger) hiring ambitious critic James Figueras (Claes Bang) to steal a particular masterpiece from enigmatic and reclusive artist Jerome Debney (Donald Sutherland). Debney lives in a ramshackle bungalow in a sequestered corner of Cassidy’s magnificent Lake Como estate a short bicycle ride for Figueras. Title might as well been ripped from election headlines.

Recent RA.com ad has a women with rheumatoid arthritis riding a bicycle that disintegrates along a bike path, signaling damage disease does to joints. Stands out among many Giant and Specialized ads in that it’s not about selling wheels on backlog. 

Another unusual spot follows a biking kid, who later becomes a paperboy, then a young man gone a courting on same BMX, while toying with Daisy Bell lyrics suggesting best use of an outgrown bike is donating it to Goodwill, which means it’s a bicycle built for two or more. Time for an adult tandem! Of course, all bikes impact not only buyers but employees who manufacture them when not furloughed, material miners, road builders, taxpayers, shop owners, transportation workers, and whoever else gets involved in supply chain. Skyrizi psoriasis medicine commercial has sufferer mountain biking across dunes.