“We sit here stranded, though we're all doin' our best to deny it, and Louise holds a handful of rain, temptin' you to defy it... In the empty lot where the ladies play blindman's bluff with the key chain. And the all-night girls they whisper of escapades out on the "D" train... The ghost of ’lectricity howls in the bones of her face where these visions of Johanna have now taken my place. And Madonna, she still has not showed... We see this empty cage now corrode... while my conscience explodes. The harmonicas play the skeleton keys and the rain. And these
Visions of Johanna are now all that remain.“ Nobel Laureate Bob Dylan, from album
Blonde on Blonde, 1966 vs. "Bicycle (oil on canvas)", Bob Dylan, 2012
Orange Bullet D Sixth Avenue Express once served stricken World Trade Centers en route between Bronx and Brooklyn's Coney Island. Escapades make one think of overreachers and terrorists. Why did Oppenheimer call A-bomb research
The Manhattan Project? Because most sites involved were secretly located there, splitting atoms with millions of residents none the wiser. In classic obsessive compulsion he quoted Hindu scripture, “Now I am become Death, the destroyer of worlds.”
Film of same name (Marshall Brickman, dir., 1989) has smart cyclist Paul Stephens (Christopher Collet) steal plutonium from industrial tycoon John Mathewson (John Lithgow) to expose his company as a covert danger to surrounding community, whereupon he makes his own thermonuclear weapon that inadvertently almost takes out much of The Big Apple. All concerned join as a team to defuse it, while innocents unknowingly dodge instant death. After Sartre, being stranded by existential threats, biological to technological, has become the new “normalcy”.
Earth Day (April 22nd) and Mother’s Day (May 9th) evoke Earth-goddess Gaia offerings, Fugian Granny Mazu pilgrimages, Greek Cybele cult sacrifices, Laetare Sunday when Roman Catholics celebrate Mother Church, mother goddess Rhea rites, ode to a barefoot and biased madonna, Roman Hilaria festival, Semite Asherah adherence, Sun Goddess Amaterasu rituals, Taino Atabey admiration, Taoist Doumu adoration, and worship of queens of heaven Anat, Astarte, Inanna, Hera, Isis, Juno, Mary and Nut. All are tied to blossoming springtime, natural rejuvenation, and respect for life. But you get the feeling that however humans, even Shinto mountain ascetics, venerate them, these goddesses and saints don’t necessarily reciprocate, in fact, would rather wipe species off planet after multiple manmade threats of atmospheric pollution, fossil fumes, industrial toxins, nuclear weapons, ocean garbage, and prophesies of a hard rain delivered by Bob’s nasal twang when poetry used to matter.
B&C is 180° opposed to any anti-intellect, cancel culture, dumb down descent into global ignorance. Labann daily observes, reads, views or writes. Recent research indicates that sitting too close to computer screens and watching too many media streams can cause seizures or worse. Yet scholarly books encourage more of same; at least
B&C preaches a balance between pedaling and viewing. Holidays might even inspire a ride if weather doesn't decide otherwise.
Culture on Two Wheels: The Bicycle in Literature and Film, literary criticism compiled by Jeremy Withers and Daniel P. Shea (University of Nebraska Press, 2016, 376 pp.), includes Nanci J. Adler’s insightful essay The Existential Cyclist: Bicycles and Personal Responsibility in Simone de Beauvoir’s
Blood of Others, among dozens directly related to bicycling culture. Elsewhere, Adler explains how bicycles evolved into antifascist armament:
“Existential, absurdist and postmodern philosophers and writers of the era... questioned pre-war cultural values and the meaning of existence. Bicycles continue to appear in novels as transformative vehicles, but they no longer play the straightforward role as vehicles of liberation from the constraints of cultural mores, gender restrictions or social hierarchies. Bicycles often continue to be symbols of freedom, happiness and love, but they lose their irrefutable power to transform characters in permanently positive ways... Flann O’Brien’s
The Third Policeman, Simone de Beauvoir’s
The Blood of Others, Luigi Bartolini’s
Bicycle Thieves, Samuel Beckett’s
Molloy and L. P. Hartley’s
The Go-Between, reflect bicycles as beloved articles, useful vehicles, and potentially positive transformative machines, yet they are unable to overcome the disquieting times; bicyclists are no longer destined for eternal happiness... [for Beauvoir] the bicycle is used to differentiate the hardships of the French from the relative affluence of the Nazis... The bicycle machine, in previous decades a symbol of modernity and personal freedom, takes on a more solemn role as a machine of the French Resistance.” Nanci J. Adler,
The Bicycle in Western Literature: Transformations on Two Wheels, 2012
“The bicycle was still there, brand new, with its pale-blue frame and its plated handlebars which sparkled against the dull stone of the wall. It was so lissome, so slender, that even when not in use it seemed to cut through the air. Hélène had never seen such an elegant bicycle. ‘’I’ll repaint it dark green, it’ll be even more beautiful,’ she thought.” Simone de Beauvoir,
The Blood of Others, 1945, which explores themes of freedom and responsibility, as
B&C continues to.
You know Nazis by what they do: Berate, boss, command, demand, denigrate, force, grab, hate, lie, and lots of people die or suffer. The opposite is whoever
calmly encourages, leaves be, merely suggests, offers help, shares wealth, and tolerates differences. Everyone has opinions which guide personal code. Nazis will kill if you don’t meekly submit to their sick will. Nazis are divisive, greedy and stupid, because intelligent people know that they do better when everyone does well. Nazis scream continually, irrelevantly of current situation, and unintelligibly. People who tell you facts and truths never change their story and seldom repeat themselves. Let-live losers sort through details to suggest stuff worthy of your time above ground.
Father and Daughter (Michael Dudok de Wit, dir., 2000) poignantly captures a person’s grief over loss and longing to be reunited. After father abandons daughter during their bicycling outing, she spends entire life revisiting spot on a Dutch dike, where throughout each character rides on a bike. Deservedly won BAFTA award and Oscar for best animated short.
Police sergeant John McLoughlin (Nicolas Cage) races his Bronco past a Big Apple bicyclist running errands to site of World Trade Center (Oliver Stone, dir., 2006) disaster, where he'll wind up trapped under rubble with fellow officer Will Jimeno (Michael Peña) for trying to evacuate towers and save lives 20 years ago this September. Bottom line: This jihadist suicide salvo against an international commodity exchange was sheer ignorance that targeted democratic freedoms, more muslims and people of color from 87 different nations than America, and system of commerce that feeds world. It purported to use technology to strike against technology, but turned out a vicious attack upon humanity itself. And never forget, Bush and conservatives tried to exploit this holocaust by describing it as a "test of our will" to continue pursuing illegal wars for sake of greedy swells, while it's never been clear who was really responsible. With no help from GOP, decent citizens, firemen, and police answered the call to duty.
An Irish fisherman named Syracuse (Colin Farrell) trawls up a foreign woman (Alicja Bachleda-Curuś) in his net. Astonished she’s not drowned, he asks her name, Ondine (Neil Jordan, dir., 2009). Syracuse, whom townsfolk call Circus, is a divorced recovering alcoholic who has visiting privileges but not custody of his daughter Annie (Alison Barry), whose kidneys are failing. After dialysis in her wheelchair she stalks dad and stumbles onto fact he’s hiding this mysterious beauty. Annie imagines Ondine is a selkie, a mythical chimera seal turned human. Mean kids on bikes take her wheelchair and taunt her for being different, but she’s wise beyond her tender age, because love conquers all.
In post-apocalyptic Montana, bounty hunter Gage (Gina Carano) hunts criminals who refuse to give up fossil fuel vehicles, considered the worst of offenses, and infiltrates Jackson’s (Ryan Robbins) belcher crew for both offered reward and personal vengeance. Jackson captures pilgrims to mine silver, a crucial commodity for ubiquitous masks that filter otherwise unbreathable toxic smog on a Scorched Earth (Peter Howitt, dir., 2014). Bicyclists escort pilgrims, but also get scorched. Those who ride horses fare better; how ponies breath isn’t explained.
Television sitcom Mom (Season 2, Episode 22) Fun Girl Stuff and Eternal Salvation (James Widdoes, dir., 2014) has mom Bonnie Plunkett (Allison Janney) by bicycle chasing daughter Christy (Anna Faris) from flop to flop after she moves out to avoid their toxic interaction that threatens both their relapses into substance abuse.
Fathers and Daughters (Gabriele Muccino, dir., 2015) has novelist Jake Davis (Russel Crowe) tell his daughter Katie (Kylie Rogers as child, Amanda Seyfried as adult), “Daddy sold a book today... That means you can have any toy on the planet.” She replies, “I want a bike! Pink with a basket and bells and streamers dangling from the handlebars...” So he buys her one and teaches her to ride in the park. Later they ride together on her birthday. Rest of film documents Katie’s traumas over tear jerker childhood: car crash, custody battle, fatal seizure, parents’ untimely deaths, separation anxiety, shadow of fame, and trust issues.
Microbe & Gasoline (Michel Gondry, dir., 2015) are nicknames bullies call school chums Daniel the artist (Ange Dargent) and Théo the grease monkey (Theophile Baquet), respectively. Theo rides around school on a bicycle tricked out with a sound system of his own design. Daniel’s caring but depressive mom Marie-Thérèse (Audrey Tautou, Amelie, The Da Vinci Code) and Theo’s dying and needy mom (Janna Bittnerova) give their adolescents cause to try crossing France in an inventive vehicle that can, with the flip of a lever, appear as a tiny house. Being underage, they can neither get driver licenses or register a motor vehicle, so stop when police happen by and transform to stationary. Theo regrets his mother’s death during his jaunt and returns to attend funeral.
Midsomer Murders, Breaking the Chain (Season 18, Episode 3, 2016), has DCI Barnaby (Neil Dudgeon) investigating homicide of pro cyclist Greg Eddon (Jack Staddon), who just won local leg and was leading tour. Plot thickens when it's disclosed that 5 years earlier Judith Oliver was accidentally run over by a motor vehicle while leading tourists along a side road supposedly blocked off for bike racing. Then rival Aiden McCordell is struck on the head with a chain whip, and his lungs were pumped with a high-pressure air compressor, rupturing them. Police finally act to save dad McCordell thereby ending the killing spree.
The Philadelphia Bicycle Vignette Story (Bryan Oliver Green, dir., 2017) is a socially scathing surreal series of short skits on title city around 2009. Marcus Borton plays the cyclist. Charlie Day and Rob “Mac” McElhenney of sitcom It's Always Sunny In Philadelphia (
Season 13, Episode 5) keep up their unfunny putdowns of pedaling on a pair of stolen BMXs. Again, bullies are kids on bikes.
Adam Sandler is back to biking in latest film Hubie Halloween (Steven Brill, dir., 2020), where his character, town idiot Hubie DuBois, tries to save citizens of Salem from real skullduggery hidden behind holiday festivities.
SciFi thriller Songbird (Adam Mason, dir., 2021) set in near future speculates billions will die from highly contagious airborne variant COVID-23. Protagonist is a bicycle messenger, who is immune, so able to roam freely except through check points. Haven’t seen, but suspect poor ratings and weak returns are more due to people’s frustration with pandemic and suspicion over situational exploitation and theater attendance. Sure, it’s no Twelve Monkeys, in which Terry Gilliam totally predicted this predicament 25 years ago, but willing to give it 90 minutes after seeing hundreds of low budget turkeys that may have been worse.
Starz original series Men in Kilts: A Roadtrip with Sam and Graham (Episode 106, 2021) have title pair touring native Scotland by air, land and sea, partly by bicycles, to which one grumbles, “I cannot believe that this was your idea of a good time.”
