Blink and you’d miss this befitting redolent frame that recalls Natalie Merchant's lyrics, "...these streets, in the madhouse asylum they can be, where a wild-eyed misfit prophet on a traffic island stopped and he raved of saving me." It's from bio-musical I'm Not There (Todd Haynes, dir., 2007) in which Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger, and Ben Whishaw portray various personas from Nobel Laureate Bob Dylan’s 80 year life to date. Title is from a tune off Bob’s 1967 Big Pink Basement Tape never officially released until film's soundtrack album. “It's too hard to stay here, and I don't want to leave. It’s so hard for so few, you see, but she's hard to me... It’s a crime the way she mauls me around... Yes, the soul gypsy told her like I said carry on. Wish I was there to help me, but I'm not there, I'm gone.” After publishing over 600 self written songs including those released on last year’s studio album (his 39th), Dylan regrets not be able to defend himself from insanity of those whose heads he got inside. Did it motivate continued involvement? Do charismatic personalities destroy lives or exert positive influence?
Aloof intellectual Jacques Anquetil repeatedly left lunchpail populist Raymond Poulidor behind. With his gypsy queen Gitane, go-to frame for peloton from 1952 into 1980’s, God’s Kettle won Tour de France 5 times, first to do so, popularizing bike racing and setting a dynastic precedent. Meanwhile, a myth of book learned mediocrity got spun by jealous losers whose experiences taught them nothing. Having worn a crown a king never wants to step down, oblivious of how a clown impacts life in your town. Steel may be real, but Gitane’s Reynolds 531 alloy is lighter and stronger. Anquetil, Gitane and Peugeot were essential to America’s big ’70’s bike boom, though these brands, still distributed in France in small quantities, have faded into antique status in United States.
Gratis offering of books and broadcasts also abates. Five decades of carrying burdens, eschewing renown, shaming villains, and wearing a frown have ground Labann down. One does what one can, but inevitably gives up, passes baton, withdraws. COVID convinced mankind that life's moments are too precious to waste. Commitment to personal freedoms and political democracy will get you banned from sites where your unvarnished truths and vetted reminders offend guilty censors. They’ll cleverly demand you prove your identity to cancel you online or threaten you at home. How did you think pseudonym Labann began? Gave less grief than got, received far more support than opponents, and tested moderators intentions, which consistently betrayed conservative bias. Maintaining balance suits neither side’s agenda. American radical patriot Woody Guthrie sang in 1963, “There’s a road that leads to glory through a lonesome valley far away. Nobody else can walk it for you; they can only point the way.” Too bad typical advice is malicious, sad, useless, or vindictive.
To be fair, Twitter did suspend Dolt 45's account when his hissy fit about a stolen election became a quixotic joust against reality. Having attempted to deny and nullify votes, extort officials, misinform shamelessly, rig results, and staff key positions with sycophants (for example, appointing a Postmaster General who might disrupt mail-in ballots), he was incensed when he failed to win, again, since he never officially won any popular election. His sole victory in California presidential primary as candidate for Reform Party didn’t count, since he had already withdrawn from race. But he did signify how vulnerable constitution and government are against an all out authoritarian siege.
Fearful need triggers greed with misspent lives guaranteed. A selfish minority hides within a major party attempting to wrest control with no intention of serving nation’s best interests. Those whom responsible Americans despise - anti-intellectuals, Aryans, climate denialists, conspiracy theorists, criminals, fascists, highwaymen, hypocrites, misogynists, monarchists, narcissists, Nixon’s army, nouveau riche, opportunists, pale evangelicals, pimps, racists, religious bigots, Russian mobsters, sociopaths, supremacists, tea baggers, and xenophobes - threaten democracy, liberty, sensible regulation, and social contract. It’s not partisanship, sides diametrically opposed in an ideological struggle. It’s everyday majority versus fringe groups at behest of a few oligarchs applying filibusters, gerrymander, terrorism, and vote suppression on a totalitarian bid.
Opening scene has teen Natasha Romanoff (Scarlet Johansson as an adult) bicycling happily around her Ohio neighborhood in award winning action blockbuster Black Widow (Cate Shortland, dir., 2021). Black Widow Patrizia Reggiani Gucci said, “I would rather weep in a Rolls-Royce than be happy on a bicycle.” Gucci would have been better off, since she wound up in prison, serving 18 of a 29 year sentence for murdering her husband. But that was back before pandemic, when attorneys general and justice departments used to arraign criminals and sentence convicts. These days, Gucci sells its own custom bike cruiser for $6,500, while officials give murderers medals and persecute innocents. Most disturbing is prosecutors' inability to indict for armed insurrection, broadcast sedition, and presidential treason.
To build convincing arguments some cherry-pick biblical passages or celebrity statements out of context, as if any source text stays infallible when crazily applied. An essential condition of reality is the moment incident occurs. Once influences disappear and time passes, related facts may no longer apply. Witness historical revision and viral mutation. You must continuously reevaluate input and repeatedly redirect actions upon judgment calls based on experience and knowledge, not just repeat what ancestors did, especially since they left a legacy of horror that haunts future until you irrevocably dismantle systems of oppression. In other words, as on a really long bicycle ride, life begins eagerly, beguiles fate, dodges peril, and ends wearily. If you accept chaos, does it nurture you in return?
Statements don’t always communicate, might bring more trouble than release is worth, and tend to gloss over relevant details. Not every bleary eyed sentence hen scratched in the wee hours has value or holds meaning, but one can find other habits just as destructive. Give money and time generously to just causes, but to live serenely one must improve conditions for everyone equally. People without shame once became authors for emolument and fame, but nowadays this would be irrelevant, like winning some casino game.
Will never admit kinship with a lying fraud and racist hypocrite who believes himself a white knight on a holy mission for some dead monarch, as if a modern day Gawain lopping off Green Knight’s head to merit a holiday plaudit, who really serves selfish interests under a delusion of superiority. Sad when you’re related to such a sanctimonious sociopath and virulent misogynist. Guilty perps despise anyone who exactly records what they did, don’t want to be reminded, will kill not to be exposed. Crime doesn’t pay if you’re incarcerated. Treason respects no oath of office, not even reason, nothing constituents agree on. Laban lambastes stupid cruelty, makes no presumptions, simply observes, so suitably serves. There are worse things than seeking references to bicycling culture in films and songs.
Hard to catch bicyclists in action, since they roll almost invisibly along back allies and tertiary streets. Dwayne Perkins joked, “US is a car culture. If you’re over 18, and you ride a bicycle, you kind of have to explain yourself. ‘I notice you’re on a bicycle; do you want to talk about it? What happened with your life exactly?’ ...Here you see a man in a 3-piece suit on a bicycle going to work, and you say to yourself, ‘His divorce lawyer sucked.’ ...Whenever I see guys whose shoes lock into their pedals I get sad, ‘I should probably tell him how pedals work.’ Whenever you go into a bike shop, they look down on you. It’s like a cult; you can’t walk out without spending a thousand dollars.”
Final scene of Swedish tragicomedy A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, dir., 2015), which according to director was inspired by Italian postwar classic Bicycle Thieves (Vittorio De Sica, dir., 1948), takes place outside a bike shop. Film throughout presents inexplicable drollery as if seen from perspective of doves perched in tree limbs in Pieter Bruegel the Elder’s seasonal painting The Hunters in the Snow.
The Bicycle (Arne Körner, dir., 2015) portrays Hamburg native Mark (Akin Sipal) and Canadian Antonia (Carly May Borgstrom) as old flames trying to rekindle romance. They vacation together in Paris, but he behaves distractedly and pays more attention to The City of Light than her, despite her gift of a bike. Language barriers and long distances sink their relationship. To revisit scene of love lost, Mark rides his gift the 47 miles back to Paris. Likewise, Labann finally got to view this film mentioned years ago in passing.
Los Días de la Ballena (Days of the Whale, Catalina Arroyave Restrepo, dir., 2019) follows a pair of bicyclists, graffitists, lovers Cristina (Laura Tobón, shown) and Simon (David Escallón), who tag walls where they live in Medellín, Colombia. When art collective to which they belong is targeted by gang extortion, they defy retribution by painting a tremendous whale mural over threatening slogan, “Snitches Get Stitches.” Being articulate and creative aggravates bullies, whose key trait is brain dysfunction.
Brooding bicyclist and budding author Stella Nicholls (Zoe Colletti) of Scary Stories to Tell in the Dark (André Øvredal, dir., 2019) hooks up with other misfit youths including draft dodger Ramón Morales (Michael Garza) in frightening adventures, the first of which is pedaling crowded streets of Mill Valley, PA, on Halloween, 1968. Stella breaks curse and cheats death by telling truth, while Labann cheers.
Any film shot in Paris will likely show bicyclettes. Old fashioned romantic comedy Les Amours d’Anaïs (Charline Bourgeois-Tacquet, dir., 2021) has penniless 30 year old scatterbrained bicyclist Anaïs (Anaïs Demoustier) falling out of love and rebounding with couple Daniel (Denis Podalydès) and Emilie (Valeria Bruni Tedeschi) in the kind of romp one longs for but seems denied during a pandemic.
Still in theaters, The French Dispatch (Wes Anderson, dir., 2021) begins its eccentric slant and send up of journalism with bicycling travel reporter Herbsaint Sazerac (Owen Wilson) under crusty editor Arthur Howitzer, Jr. (Bill Murray), dramatizing stories from the final issue of a fictitious continental magazine.
A half dozen songs just discovered or recently released seem particularly relevant or timely:
Kevin Bloody Wilson [Dennis Bryant], Hey, Santa Claus (where’s my f***ing bike) [Australian], single, X Rated, 1989; sounds like many children's holidays, but shouldn't parents try harder to create sustaining memories? Happier holidays and high hopes for next year.
Emily's Army, Village Bicycle, Lost At Seventeen, Rise Records, 2013; produced a while ago by Billie Joe Armstrong, front man of Green Day, only appears on vinyl version.
Helium Cosmik, Sur mon bicycle [Quebecois], Sur mon bicycle, self, 2019; quartet features a harp and ukuele. “...on my bicycle I'll take you somewhere where it's less sad... I pedal at lightning speed. Don’t worry, there's no danger.”
Garth Prince, Amabhayisekili [The Bicycle Song, juvenile], single, 2020; South African dance tune produced for children stuck indoors during pandemic.
OSS (The Orb, Alex Paterson, Fil le Gonidec), Digital Bicycle Clips [techno], Enter The Kettle (Classified As A Weapon), Orbscure, 2021
Landon Caldwell, Bicycle Day I and II [psychedelic synth], Bicycle Day, Mock Records, 2021; recently debuted on 2 sides of a 45 minute, limited edition cassette. An early version of Part I was broadcast from a speaker mounted to a bicycle and played throughout neighborhood as community solace during first winter of COVID pandemic. Part II sonically reminisces about dropping acid and riding bikes as teens in small town Indiana.
Finally, an unintended pair that ought to relate to bikes:
Scooter Lee, Ribbon of Highway, Moving On Up, Southern Tracks Records, 1998, often used as a square dance number; “Rolling down that ribbon of highway, I’ve gone another mile, another day
going places I ain't never been, seeing things I'll never see again. But, I'm gonna keep on keeping on ’til the memories leave me alone, and the pain I felt is finally gone...”
Bob Dylan, Black Rider, Rough and Rowdy Ways, Columbia Records, 2020; “Black rider, black rider, you've seen it all. You’ve seen the great world and you've seen the small. You fell into the fire, and you're eating the flame. Better seal up your lips if you wanna stay in the game. Be reasonable, mister, be honest, be fair; let all of your earthly thoughts be a prayer.” Sounds like spandex and spirituality.
Friday, December 10, 2021
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